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    Author: Dr. Mitra Karl Brunnhölzl

    Mining for Wisdom within Delusion: Maitreya's "Distinction between Phenomena and the Nature of Phenomena" and Its Indian and Tibetan Commentaries

    Maitreya’s Distinction between Phenomena and the Nature of Phenomena distinguishes the illusory phenomenal world of saṃsāra produced by the confused dualistic mind from the ultimate reality that is mind’s true nature. The transition from the one to the other is the process of “mining for wisdom within delusion.” Maitreya’s text calls this “the fundamental change,” which refers to the vanishing of delusive appearances through practicing the path, thus revealing the underlying changeless nature of these appearances. In this context, the main part of the text consists of the most detailed explanation of nonconceptual wisdom—the primary driving force of the path as well as its ultimate result—in Buddhist literature. The introduction of the book discusses these two topics (fundamental change and nonconceptual wisdom) at length and shows how they are treated in a number of other Buddhist scriptures. The three translated commentaries, by Vasubandhu, the Third Karmapa, Rangjung Dorje, and Gö Lotsāwa, as well as excerpts from all other available commentaries on Maitreya’s text, put it in the larger context of the Indian Yogācāra School and further clarify its main themes. They also show how this text is not a mere scholarly document, but an essential foundation for practicing both the sūtrayāna and the vajrayāna and thus making what it describes a living experience. The book also discusses the remaining four of the five works of Maitreya, their transmission from India to Tibet, and various views about them in the Tibetan tradition.
  • Commentary by Acharya Sherab Gyaltsen. Root Text Translation by Ari Goldfield. Oral Translation by Elizabeth M. Callahan. This transcript was produced from a series of talks given by Acharya Sherab Gyaltsen at Nitartha Institute, Gampo Abbey, Nova Scotia, Canada, in June and July 1997.
  • Commentary by Dzogchen Ponlop Rinpoche

    This series explicates one of the principal Indian classics of the Madhyamaka tradition, Chandrakirti’s Madhyamakavatara (Entrance to the Middle Way), along with the Kagyü commentary by the eighth Karmapa, The Chariot of the Dakpo Kagyüs. These transcripts cover the Madhyamakavatara’s eleven chapters, which correlate with the ten bhumis (grounds) and the ten paramitas (perfections), plus the ultimate bhumi of buddhahood. The focus is particularly on the sixth chapter of the Madhyamakavatara, which discusses prajna (transcendental knowledge) and its realization of emptiness. Main topics include the selflessness of phenomena and the individual, and the impossibility of finding a self anywhere with the range of phenomenal experience. Includes root text by Chandrakirti and commentary by Mikyö Dorje, translated by Elizabeth M. Callahan.
  • A commentary by Acharya Sherab Gyaltsen

    Root verses and commentary on An Exposition Of The Presentation of the Philosophical Systems of the Great Vehicle An Exposition that Reveals the Presentation of the Philosophical Systems of the Chittamatrikas of the Great Vehicle by Dzogchen Ponlop Rinpoche. Translated by Karl Brunnhölzl, Tyler Dewar, and Scott Wellenbach.
  • Commentary: This text is published as part of the Nītārtha Institute study program directed by The Dzogchen Ponlop Rinpoche. Commentary on In Praise of Dharmadhātu © 2009 by The Dzogchen Ponlop Rinpoche and Nītārtha international. Root Text: Root stanzas from first edition draft translation of In Praise of Dharmadhātu translated by Karl Brunnhölzl. © 2005 Karl Brunnhölzl and Nītārtha Institute.
  • Commentary by Dzogchen Ponlop Rinpoche

    This series explicates one of the principal Indian classics of the Madhyamaka tradition, Chandrakirti’s Madhyamakavatara (Entrance to the Middle Way), along with the Kagyü commentary by the eighth Karmapa, The Chariot of the Dakpo Kagyüs. These transcripts cover the Madhyamakavatara’s eleven chapters, which correlate with the ten bhumis (grounds) and the ten paramitas (perfections), plus the ultimate bhumi of buddhahood. The focus is particularly on the sixth chapter of the Madhyamakavatara, which discusses prajna (transcendental knowledge) and its realization of emptiness. Main topics include the selflessness of phenomena and the individual, and the impossibility of finding a self anywhere with the range of phenomenal experience. Includes root text by Chandrakirti and commentary by Mikyö Dorje, translated by Elizabeth M. Callahan.
  • A commentary on THE GATEWAY THAT REVEALS THE PHILOSOPHICAL SYSTEMS TO FRESH MINDS by Ācārya Sherab Gyaltsen.

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    Author: Jamgön Kongtrul Lodrö Thayé Translator: Elizabeth M. Callahan

    In Tibetan religious literature, Jamgön Kongtrül's Treasury of Knowledge in ten books stands out as a unique, encyclopedic masterpiece embodying the entire range of Buddhist teachings as it was preserved in Tibet. This volume, Frameworks of Buddhist Philosophy, is his masterful survey of the broad themes and subtle philosophical points found in more than fifteen hundred years of Buddhist philosophical writings. In a clear and systematic manner, he sets out the traditional framework of Buddhism's three vehicles and four philosophical systems, and provides an overview of the key points of each system. His syncretic approach, which emphasizes the strengths of each of the systems and incorporates them into a comprehensive picture of philosophical endeavor, is well-suited for scholar-practitioners who seek awakening through the combination of analytical inquiry and meditation.    
  • Commentary by Dzogchen Ponlop Rinpoche

    This series explicates one of the principal Indian classics of the Madhyamaka tradition, Chandrakirti’s Madhyamakavatara (Entrance to the Middle Way), along with the Kagyü commentary by the eighth Karmapa, The Chariot of the Dakpo Kagyüs. These transcripts cover the Madhyamakavatara’s eleven chapters, which correlate with the ten bhumis (grounds) and the ten paramitas (perfections), plus the ultimate bhumi of buddhahood. The focus is particularly on the sixth chapter of the Madhyamakavatara, which discusses prajna (transcendental knowledge) and its realization of emptiness. Main topics include the selflessness of phenomena and the individual, and the impossibility of finding a self anywhere with the range of phenomenal experience. Includes root text by Chandrakirti and commentary by Mikyö Dorje, translated by Elizabeth M. Callahan.
  • A commentary by Āchārya Lama Tenpa Gyaltsen
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    Author: Jamgön Kongtrul Lodrö Thayé Translator & Editor: Gyurme Dorje

    Jamgön Kongtrul’s encyclopedic Treasury of Knowledge presents a complete account of the major lines of thought and practice that comprise Tibetan Buddhism. Among the ten books that make up this tour de force, Book Six is by far the longest—concisely summarizing the theoretical fields of knowledge to be studied prior to the cultivation of reflection and discriminative awareness. The first two parts of Book Six, contained in this volume, respectively concern Indo-Tibetan classical learning and Buddhist phenomenology. The former analyzes the traditional subjects of phonology and Sanskrit grammar, logic, fine art, and medicine, along with astrology, poetics, prosody, synonymics, and dramaturgy. The principal non-Buddhist philosophical systems of ancient India are then summarized and contrasted with the hierarchical meditative concentrations and formless absorptions through which the "summit of cyclic existence" can genuinely be attained. Part Two examines the phenomenological structures of Abhidharma—the shared inheritance of all Buddhist traditions—from three distinct perspectives, corresponding to the three successive turnings of the doctrinal wheel.  
  • Commentary by Dzogchen Ponlop Rinpoche

    This series explicates one of the principal Indian classics of the Madhyamaka tradition, Chandrakirti’s Madhyamakavatara (Entrance to the Middle Way), along with the Kagyü commentary by the eighth Karmapa, The Chariot of the Dakpo Kagyüs. These transcripts cover the Madhyamakavatara’s eleven chapters, which correlate with the ten bhumis (grounds) and the ten paramitas (perfections), plus the ultimate bhumi of buddhahood. The focus is particularly on the sixth chapter of the Madhyamakavatara, which discusses prajna (transcendental knowledge) and its realization of emptiness. Main topics include the selflessness of phenomena and the individual, and the impossibility of finding a self anywhere with the range of phenomenal experience. Includes root text by Chandrakirti and commentary by Mikyö Dorje, translated by Elizabeth M. Callahan.
  • The commentary, Feast for the Fortunate, is the ninth Karmapa’s abridgement of the eighth Karmapa, Mikyö Dorje’s masterpiece, The Chariot of the Takpo Kagyü Siddhas. In it readers will find previously unavailable material on the Karmapa’s Middle Way view and a rare window into a philosophically charged era of Middle Way exposition in Tibetan Buddhism. Wangchuk Dorje’s comprehensive commentary on the Indian master Chandrakirti’s seminal text, the Madhyamakavatara, is marked by eloquent poetry, vigorous and extensive analysis, and heart instructions on breaking through the veils of confusion to independently experience the true nature of things. Includes root text and commentary by the ninth Karmapa Rangjung Dorje, translated by Tyler Dewar.
  • A commentary by Ācārya Kelsang Wangdi

  • A commentary by Dzogchen Ponlop Rinpoche

    This series (Introduction to Topic 8) presents Maitreya’s Ornament of Clear Realization based on the commentary by the eighth Karmapa Mikyö Dorje, Relief of the Noble Ones. Maitreya’s work is the central Mahayana text on the stages of the path and their fruition, for both the Hinayana and Mahayana. It is traditionally summarized in seventy points, or more generally in eight chapters. Whereas the Madhyamaka literature presents the explicit meaning of the Prajnaparamita Sutras, the subject matter of the Abhisamayalamkara is the hidden or implied meaning: the various stages of bodhisattvas, shravakas, and pratyekabuddhas on the path of the meditation on emptiness, from the stage of beginner up through buddhahood. Includes root text by Maitreya and commentary by Mikyö Dorje, translated by Mitra Dr. Karl Brunnhölzl.
  • A commentary by Dzogchen Ponlop Rinpoche

    This series (Introduction to Topic 8) presents Maitreya’s Ornament of Clear Realization based on the commentary by the eighth Karmapa Mikyö Dorje, Relief of the Noble Ones. Maitreya’s work is the central Mahayana text on the stages of the path and their fruition, for both the Hinayana and Mahayana. It is traditionally summarized in seventy points, or more generally in eight chapters. Whereas the Madhyamaka literature presents the explicit meaning of the Prajnaparamita Sutras, the subject matter of the Abhisamayalamkara is the hidden or implied meaning: the various stages of bodhisattvas, shravakas, and pratyekabuddhas on the path of the meditation on emptiness, from the stage of beginner up through buddhahood. Includes root text by Maitreya and commentary by Mikyö Dorje, translated by Mitra Dr. Karl Brunnhölzl.
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    Author: Wangchuk Dorje Translator: Tyler Dewar

    Marked by eloquent poetry, vigorous and extensive analysis and heart instructions on breaking through the veils of confusion to independently experience the true nature of things, The Karmapa's Middle Way contains the Ninth Karmapa Wangchuk Dorje's comprehensive commentary on the Indian master Chandrakirti's seminal text, the Madhyamakavatara or Entrance to the Middle Way. This commentary, Feast for the Fortunate, is the Ninth Karmapa's abridgement of the Eighth Karmapa Mikyo Dorje's masterpiece, the Chariot of the Takpo Kagyu Siddhas. In it, readers will find previously unavailable material on the Karmapa's Middle Way view and a rare window into a philosophically charged era of Middle Way exposition in Tibetan Buddhism. Chandrakirti and the Karmapa present in precise detail the vital Buddhist concept of emptiness through which the Mahayana path of compassionate altruism becomes complete. Introductory material, copious footnotes, appendices, and a reader-centric approach to the language will make this volume equally accessible to the seasoned scholar of Indo-Tibetan Buddhism and the newly curious nonspecialist alike.    
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    Author: Asaṅga

    Translator: Karl Brunnhölzl

    Winner of the Khyentse Foundation Prize for Outstanding Translation. The first complete English translation of Asaṅga's Mahāyānasaṃgraha, the most important and comprehensive Indian Yogācāra text, and all its available Indian commentaries. The Mahāyānasaṃgraha, published here with its Indian and Tibetan commentaries in three volumes, presents virtually everything anybody might want to know about the Yogācāra School of mahāyāna Buddhism. It discusses in detail the nature and operation of the eight kinds of consciousness, the often-misunderstood notion of “mind only” (cittamātra), dependent origination, the cultivation of the path and its fruition in terms of the four wisdoms, and the three bodies (kāyas) of a buddha. Volume 1 presents the translation of the Mahāyānasaṃgraha along with a commentary by Vasubandhu. The introduction gives an overview of the text and its Indian and Tibetan commentaries, and explains in detail two crucial elements of the Yogācāra view: the ālaya-consciousness and the afflicted mind (kliṣṭamanas). Volume 2 presents translations of the commentary by Asvabhāva and an anonymous Indian commentary on the first chapter of the text. These translations are supplemented in the endnotes by excerpts from Tibetan commentaries and related passages in other Indian and Chinese Yogācāra works. Volume 3 includes appendices with excerpts from other Indian and Chinese Yogācāra texts and supplementary materials on major Yogācāra topics in the Mahāyānasaṃgraha.    
  • Traducción del tibetano al inglés por Karl Brunnhölzl Traducción del inglés al español por Israel Lifshitz

    Un texto raíz escrito por Khenpo Tsültrim Gyamtso Rinpoche. Presenta las divisiones y definiciones de los tipos de mente identificados en la tradición epistemológica de Dignāga y Dharmakīrti.
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    Authors: Tsangnyön Heruka and Milarepa Translator: Christopher Stagg

    An authoritative new translation of the complete Hundred Thousand Songs of Milarepa, the teaching songs and stories from Tibet's most beloved Buddhist yogi, poet, and saint. Powerful and deeply inspiring, there is no book more beloved by Tibetans than The Hundred Thousand Songs, and no figure more revered than Milarepa, the great eleventh-century poet and saint. An ordinary man who, through sheer force of effort, faith, and perseverance, overcame nearly insurmountable obstacles on the spiritual path to achieve enlightenment in a single lifetime, he stands as an exemplar of what it is to lead a spiritual life. Milarepa, a cotton-clad yogi, wandered and taught the dharma, most famously through spontaneously composed songs, a colorful and down-to-earth way to convey the immediacy and depth of the Buddhist teachings. In this work, the songs are woven into a narrative that tells the stories of his most famous encounters with his students, including Gampopa and Rechungpa, and recount his victories over supernatural forces in the remote Himalayan mountains and caves where he meditated. In this authoritative new translation, prepared under the guidance of Dzogchen Ponlop Rinpoche, Christopher Stagg brilliantly brings to life the teachings of this extraordinary man. This classic of world literature is important for its narrative alone but is also a key contribution for those who seek inspiration for the spiritual path.
    Tsangnyön Heruka (1452-1507), or the "Madman of Tsang," so named for his eccentric behavior in yogic practice, compiled and arranged this most well-known collection of Milarepa’s songs four centuries after the death of the great yogin. Tsangnyön spent much of his life wandering in the same Himalayan regions as Milarepa and was considered by some to be his emanation.
      Christopher Stagg served as a translator and interpreter for the Nitartha Institute and Nalandabodhi, both under the direction of Dzogchen Ponlop Rinpoche. Also trained as a public school music teacher.
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